Full Title:
College Seminar Proposal for “History of American Musical Theater” taught by Sylvia Fine at Yale University in the Fall semester of 1975
Excerpt:
Course Information
Sylvia Fine Kaye
History and Analysis of Musical Comedy Attachment 1
The multiple arts and crafts of creating and producing American Musical Comedy— (there is no other) – can no longer be empirically learned. The kind of theatre in which it flourished for about forty years has been outpriced on both sides of the footlights and is almost extinct. What remains are occasional personal triumphs, some tribal or folk rock festivals and opportunistic campy nostalgia, — all with relentless super decibel sound.
The verve, the pace, the fun, — that very fine and fragile art of blending all the performing arts into one shining bubble, — in a word, the magic that was musical comedy at its best, is gone.
Nothing, of course, can take the place of going to the theatre for several years to see it, hear it and feel it in your bones.
But given a qualified teacher, i.e.one who has actually worked in the creative and production ends of musical comedy, with adequate tools (tapes, records, libretti, knowledgeable books of commentary), enough can be recreated to come alive in a classroom. At the very least, standards born of knowledge can be set. Then, hopefully, with the crafts taught, some beginnings of art will emerge.
A course outline is attached.
Source Citation:
Fine, Sylvia. 1975. College Seminar Proposal for “History of American Musical Theater” taught by Sylvia Fine at Yale University in the Fall semester of 1975. Institutional Document. New Haven: Yale. Kaye/Fine Collection. https://www.loc.gov/item/ihas.200197591/